Friday, April 4, 2014

This is an unholy demon. I'm sending it back to hell, where it belongs. - The Hunchback of Notre Dame

34 – The Hunchback of Notre Dame

Today's movie is 1996's The Hunchback of Notre Dame which, like Pocahontas, has a bit of a reputation. It seems to have been better received than Pocahontas overall by reviewers when it came out but I don't think I've ever heard anyone say anything kind about this movie in person. Obviously, I don't know every person in the world so it's hardly scientific but I did wonder why this movie either never got mentioned or got so much hate when I asked people. After watching the movie, and reading some of those reviews, I have a theory as to why it was so well received at first.

The story is based on Victor Hugo's novel of the same name. At least, it's loosely based since it's a Victor Hugo novel, which means that nearly everyone dies by the end. It begins with a deformed baby whose mother was killed by the Judge Claude Frollo. He then goes to kill the baby for being an “unholy demon” but is convinced by the Archdeacon to atone for his sin of killing an innocent woman by taking it and raising it himself. He does, however he does it while convincing the poor boy that he is a monster who should never leave the Notre Dame bell tower or he will face all the evil people in the world. Twenty years later, the young man, Quasimodo, dreams of leaving the bell tower but is afraid of disobeying his master. One day, he finally decides to leave to join a festival but ends up getting humiliated by the people. He is saved by a kind gypsy named Esmerelda and falls in love with her. He then has to help her escape Frollo, who has also developed a bit of an obsession with her. Basically, just your average feel good Disney romp for the family...

Quasimodo has to have the saddest story I've ever heard of for a Disney protagonist. His mother is killed by Frollo for being a gypsy and is then almost killed by Frollo only to have him adopt him and raise him thinking that he's a monster who would never be accepted by society. You really feel bad for him because despite his awful upbringing he has developed into a really great person. It's also really hard to know what he should do since his only attempt to join society ends up ridiculously badly for him. You still want him to be successful but it's hard to see how he'll accomplish that. Unfortunately, the story doesn't focus on his journey nearly enough. It keeps jumping between him, Frollo being a dick, the boring romance between Esmerelda and Captain Phoebus, and these idiot gargoyles that Quasimodo is friends with.

Frollo, who I think I mentioned is a dick, is the most evil Disney villain I've ever seen. On top of all the horrible crap he does to Quasimodo, he's incredibly prejudiced against gypsies and he's absurdly cruel. He kills people and burns down houses with absolutely no problem. He gets a weird attraction to Esmerelda but he kind of hates himself for it because he hates gypsies so much. I appreciate dark villains but this guy was just so evil that he sort of crosses into ridiculous sometimes. This happens mostly because of misplaced humor but I'll get to that later. He is very scary and commands a ton of power. This is very different from Ratcliffe from Pocahontas. That's great because when Quasimodo does finally triumph over him, it really feels like it was a tough battle.

Esmerelda is a very kind gypsy who offers help to Quasimodo when he gets humiliated by the villagers. Later, she finds that she needs help from him to escape Notre Dame and Frollo. She tries to convince Quasimodo that he isn't a monster and their friendship is a highlight of the story. Or at least it would be if they spent more than five minutes on it. She ends up getting a really weird and out of place romance with one of Frollo's soldiers, Captain Phoebus. Why would they take focus away from her relationship with Quasimodo? They needed to make their theme clear, that what's inside a person is much more important than what's outside.

Captain Phoebus is just a cookie cutter hero that you can see in countless other Disney movies. He falls for Esmerelda immediately and disapproves of Frollo killing innocent people. I will give him credit in that I never felt like he was only disobeying Frollo for Esmerelda's sake. Otherwise he's kind of a boring hero at best and at worst he takes focus away from the real hero, Quasimodo. I really feel like they just needed a good looking hero to make the movie more palatable.

This movie goes back to an old tradition of Disney I haven't seen for awhile; horrible side characters. Victor, Hugo (HAHA, get it??) and Laverne are three gargoyle friends of Quasimodo who help convince him to join the Festival of Fools in the beginning of the movie. They are otherwise totally pointless and only pop up to spout off some inappropriate jokes. They're there to lighten the mood because the story is so dark but it just feels awkward when they pop up and start complaining about pigeons when people are DYING. They had some humor between Quasimodo and Phoebus that I think worked really well and they could have had more of that, rather than waste time with these guys. Clopin is the narrator of the story and leader of the gypsies. He sings a bunch of songs and is actually fairly interesting but they don't do much with him. Djali is Esmerelda's completely pointless pet goat. Finally, the archdeacon is the one who saves Quasimodo as a baby and tries to uphold justice against Frollo. He grants Esmerelda sanctuary in the church from Frollo and tells her to pray for help.

If one thing is undeniably great about this movie, it's the animation. The shots of Notre Dame and Paris are just beautiful. The music really isn't bad either but the story was so weak, the music suffered. When Esmerelda sing-prays to God it just feels out of place and strange. That religious angle definitely comes from the source material but it feels so random and out of place in this version. The songs are mostly, and fittingly, dark except one really pointless one by the gargoyles. I can't really say much more. The music isn't terrible but they really didn't know what they wanted to say.

The major theme of this movie was that a person can't be judged on their appearance. Quasimodo was the biggest example of that but Esmerelda fit as well since she was a kindhearted gypsy which didn't fit with the way most people thought of gypsies. Frollo also fits since he was supposed to be a Judge but isn't exactly fair about who he punishes. Phoebus even fits since he's supposed to be a Captain that only follows orders but goes against them for justice. They then tried to fit in that awkward romance between Esmerelda and Phoebus. They made this weird internal battle for Frollo about being attracted to Esmerelda. I don't think that Quasimodo and Esmerelda needed to end up together but they really needed to explore their friendship more. On top of that, the random humor just feels so out of place. It doesn't mix well like they mixed the darkness and humor of Beauty and the Beast. I get it, it's hard to adapt a super dark story like this and make it kid friendly too. The result they got was just bi-polar and it feels like it doesn't commit one way or the other.

So why was it well received if it is such a mess of a movie? Well, I could be wrong. If I'm not, however, I think that the themes it deals with were just brand new to people for a kid's movie. You can forgive it's shortcomings if it, at least, tries to say something new that we haven't heard before. I think it's just a weak story that doesn't deal with the issues it chose very well. The problem isn't that the movie is dark, for me, the problem is that the movie doesn't feel sincere. I feel like a group of people just sat around with a copy of Victor Hugo's novel, added a bunch of characters to make the movie more kid friendly, wrote the story, then stuck a bunch of “funny” scenes in between to make it less depressing. The movie should have focused on Quasimodo and his struggle to prove that he is a good person. I think it did that, to an extent, but got filled in with needless gargoyles, a half baked romance and a borderline cartoonish villain.

34 down. 19 to go.

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